Independence Day (1996)
dir. Roland Emmerich (The Day After Tomorrow, 1996)
CAST
Will Smith (I Am Legend, 2007)
Jeff Goldblum (The Big Chill, 1983)
Bill Pullman (Sleepless in Seattle, 1993)
Randy Quaid (Brokeback Mountain, 2005)
Robert Loggia (Big, 1988)
Mary McDonnell (Donnie Darko, 2001)
Vivica A. Fox (Batman & Robin, 1997)
Margaret Colin (The Devil's Own, 1997)
James Rebhorn (Cold Mountain, 2003)
Harvey Fierstein (Mrs. Doubtfire, 1993)
Adam Baldwin (Serenity, 2005)
James Duval (The Doom Generation, 1995)
Lisa Jakub (The Beautician and the Beast, 1997)
Giuseppe Andrews (American History X, 1998)
Bill Smitrovich (Iron Man, 2008)
Mae Whitman (Scott Pilgrim vs. The World, 2010)
Harry Connick Jr. (New in Town, 2009)
Independence Day is not my favorite fourth of July movie (that would be this one) but it is still a pretty good one. I think we can all agree that the best scene is when the dog leaps out of the way of the explosion, and that it is very inspiring when Bill Pullman tells us that the fourth of the July will no longer be an American holiday, but a day when the whole world will celebrate it's Independence Day (that's the eponymous moment).
A compilation of all the movies I watch, in no particular thematic organization, with maybe a clever joke here or there.
Showing posts with label SciFi. Show all posts
Showing posts with label SciFi. Show all posts
04 July 2013
24 May 2013
24 May - "He'd let you die."
Star Trek Into Darkness (2013)
dir. J.J. Abrams (Super 8, 2011)
CAST
Chris Pine (Carriers, 2009)
Zachary Quinto (Star Trek, 2009)
Zoe Saldana (Burning Palms, 2010)
Karl Urban (Priest, 2011)
Benedict Cumberbatch (War Horse, 2011)
Anton Yelchin (The Beaver, 2011)
Bruce Greenwood (Double Jeopardy, 1999)
Simon Pegg (The Chronicles of Narnia: The Voyage of the Dawn Treader, 2010)
John Cho (Total Recall, 2012)
Joseph Gatt (Thor, 2011)
Tony Guma (Mission: Impossible III, 2006)
I saw Star Trek 2 on a rainy day in Rome, New York, with my friends from the the 2013 Tuscarora Migration Project as we took a hiatus from kayaking due to inclement weather conditions on Oneida Lake. It was probably the perfect movie to see under such conditions.
Since Star Trek already established our characters back in 2009, now we have the luxury of jumping straight into plot and conflict. Just to be safe, however, the movie opens at a breakneck pace with Kirk and Spock racing like devils through a white-red-yellow alien landscape, being chased by mud-daubed alien primitives. It was a great homage to something that might have happened in so many original series episodes. It also served the purpose of re-establishing our characters, Spock is logical to a fault, Kirk flies by the seat of his pants, and everyone else is just tagging along for the ride.
Unfortunately, we also had to sit through the "development" of Spock and Uhura's romantic relationship, which used Spock's self-sacrifice in the first scene to spin off a whole sub-plot of Uhura and Spock passive-aggressive infighting. This was tedious and otherwise irrelevant to the plot.
Benedict Cumberbatch plays Khan, a genetically-modified superhuman based on the DNA of Ghengis Khan, historical badass. They don't mention that in the movie but they say so in the TV series when the Khan character is first introduced. Our heroes also have to deal with the war-mongering head of Starfleet Command, and in all other ways to save the day.
Problems:
I'm hoping that when Spock Prime (Leonard Nimoy's reprisal of future-Spock) referred to Spock defeating Khan only at "a great price," he was alluding to the next sequel, because all in all, it was not very difficult to defeat Khan.
Uh-oh, Dr. McCoy used Khan's blood to cure Kirk's severe radiation poisoning. This means the laws of death no longer apply and it's going to create a slew of plot holes in the future.
04 May 2012
4 May - "It doesn't hate or even care. It just happens"
Doomsday (2008)
dir. Neil Marshall - The Descent (2005)
CAST
Jason Cope - District 9 (2009)
Jeremy Crutchley - The Poseidon Adventure (TV 2005)
Rhona Mitra - Sweet Home Alabama (2002)
Bob Hoskins - Hook (1991)
Alexander Siddig - Reign of Fire (2002)
David O'Hara - Cowboys & Aliens (2011)
Adrian Lester - Case 39 (2009)
Nora-Jane Noone - Ella Enchanted (2004)
Malcolm McDowell - Easy A (2010)
Doomsday was an odd movie about a quarantined section of Great Britain that had been walled off because of some sort of virus, and then a special-ops team has to go in there to figure out why people are still alive in there after years and years. As is to be expected, without law, order, and electricity, society devolves into a tribal-esque, post-punk, Mad-maxy mess of biker gangs. I watched this back in May and I don't even remember what the essential conflict was, let alone how it was resolved. Verdict= unmemorable.
dir. Neil Marshall - The Descent (2005)
CAST
Jason Cope - District 9 (2009)
Jeremy Crutchley - The Poseidon Adventure (TV 2005)
Rhona Mitra - Sweet Home Alabama (2002)
Bob Hoskins - Hook (1991)
Alexander Siddig - Reign of Fire (2002)
David O'Hara - Cowboys & Aliens (2011)
Adrian Lester - Case 39 (2009)
Nora-Jane Noone - Ella Enchanted (2004)
Malcolm McDowell - Easy A (2010)
Doomsday was an odd movie about a quarantined section of Great Britain that had been walled off because of some sort of virus, and then a special-ops team has to go in there to figure out why people are still alive in there after years and years. As is to be expected, without law, order, and electricity, society devolves into a tribal-esque, post-punk, Mad-maxy mess of biker gangs. I watched this back in May and I don't even remember what the essential conflict was, let alone how it was resolved. Verdict= unmemorable.
12 February 2012
11 Feb - "as far away from the darkness as we can possibly get"
The X-Files: I Want to Believe (2008)
dir. Chris Carter
CAST
David Duchovny (Evolution, 2001)
Gillian Anderson (Princess Mononoke (voice), 1997)
Amanda Peet (The Whole Nine Yards, 2000)
Bill Connolly (Pocahontas (voice), 1995)
Mitch Pileggi (X-Files: Fight the Future, 1998)
Xzibit (Hoodwinked! (voice), 2005)
Adam Godly (Love Actually, 2003)
Callum Kieth Rennie (Case 39, 2009)
Stephen E. Miller (Best in Show, 2000)
Lorena Gale (Snow Day, 2000)
Donavon Stimson (Fantastic Four, 2005)
Dion Johnstone (Dreamcatcher, 2003)
Sarah-Jane Redmond (Case 39, 2009)
Thus ends the era in which I had yet to see all nine seasons of The X-Files plus two feature films. This last movie was released a few years after the series had already ended. At the end of the series, Dana Scully and Fox Mulder left the FBI and fled the UNited States, because they knew too much. An impeding Alien invasion was alluded too, indicating that it would never truly be blue skies for our star-crossed investigators.
X-Files had two basic episode structures. There were episodes that propelled the mythic arc and related to a conspiracy to cover up an colonization program and the creation of human-alien hybrids. There were also monster-of-the-week episodes, in which Mulder and Scully had to discover and defeat some sort of paranormal menace within the confines of a single episode. This movie could only be said to conform to the latter model, and it wasn't particularly interesting at that.
dir. Chris Carter
CAST
David Duchovny (Evolution, 2001)
Gillian Anderson (Princess Mononoke (voice), 1997)
Amanda Peet (The Whole Nine Yards, 2000)
Bill Connolly (Pocahontas (voice), 1995)
Mitch Pileggi (X-Files: Fight the Future, 1998)
Xzibit (Hoodwinked! (voice), 2005)
Adam Godly (Love Actually, 2003)
Callum Kieth Rennie (Case 39, 2009)
Stephen E. Miller (Best in Show, 2000)
Lorena Gale (Snow Day, 2000)
Donavon Stimson (Fantastic Four, 2005)
Dion Johnstone (Dreamcatcher, 2003)
Sarah-Jane Redmond (Case 39, 2009)
Thus ends the era in which I had yet to see all nine seasons of The X-Files plus two feature films. This last movie was released a few years after the series had already ended. At the end of the series, Dana Scully and Fox Mulder left the FBI and fled the UNited States, because they knew too much. An impeding Alien invasion was alluded too, indicating that it would never truly be blue skies for our star-crossed investigators.
X-Files had two basic episode structures. There were episodes that propelled the mythic arc and related to a conspiracy to cover up an colonization program and the creation of human-alien hybrids. There were also monster-of-the-week episodes, in which Mulder and Scully had to discover and defeat some sort of paranormal menace within the confines of a single episode. This movie could only be said to conform to the latter model, and it wasn't particularly interesting at that.
17 January 2012
16 Jan - "What's with all the bullets?"
Priest (2011)
dir. Scott Charles Stewart (Legion, 2009)
CAST
Paul Bettany (Iron Man 2 (voice), 2010)
Karl Urban (The Lord of the Rings: The Two Towers, 2002)
Maggie Q (Live Free or Die Hard, 2007)
Lily Collins
Brad Dourif (The Lord of the Rings: The Return of the King, 2003)
Cam Gigandet (Easy A, 2010)
Alan Dale (Indiana Jones and the Kingdom of the Crystal Skull, 2008)
Christopher Plummer (Must Love Dogs, 2005)
Stephen Moyer
I'm so behind on my posts, so I'm going to divide and conquer and try to publish 2 every day, the most recent movie I watched and the least recent, and so hopefully everything will converge upon The Return of the King (as one does) in a few days and then I can move on with my ho-hum life and this foolish attempt to record my emotional development through the mediator of cinema. If this were a movie, I would have just spoiled the symbolism by explaining it with a voiceover. Soorry!
So, yesterday Cora had a bunch of her german friends over for dinner and Cillian and I watched Priest. I was pleased when he suggested we watch a movie because I'm just terrible at navigating large groups of people. Especially when it feels like everyone else likes each other a little bit more than they like me (Some people are able to successfully avoid this kind of scenario their whole lives, or else I'm just overanalyzing everything). I said we should watch something I've already seen before, in case it's hard to pay attention, so I suggested The Fifth Element, but I guess Cillian doesn't like that movie because he put on Priest, which I think would have been hard to follow in a dark movie theater with an acceptable sound system. On Cora's laptop, it was near impossible. Luckily there was a really tidy recap at the climax, where the villian explains the whole sequence of events for the stupid audience members, like me, who haven't been able to put it all together on their own yet. I finally understand why action movies always have that, now.
I found the premise to be delightful. In a post-apocalyptic future organized underneath a totalitarian clergy, one member of the elite warrior-priest caste goes rogue to take on a vampire scourge that has kidnapped his estranged daughter. That's some L33T science-fiction, right there. In this sotry-world, the future is very wastelandy, which is not an unreasonable assumption, especially if someone Fs us all over and drops a nuke somewhere. Yes, the future is a dark and desolate place, but nevertheless our Hero must fight to protect it.
dir. Scott Charles Stewart (Legion, 2009)
CAST
Paul Bettany (Iron Man 2 (voice), 2010)
Karl Urban (The Lord of the Rings: The Two Towers, 2002)
Maggie Q (Live Free or Die Hard, 2007)
Lily Collins
Brad Dourif (The Lord of the Rings: The Return of the King, 2003)
Cam Gigandet (Easy A, 2010)
Alan Dale (Indiana Jones and the Kingdom of the Crystal Skull, 2008)
Christopher Plummer (Must Love Dogs, 2005)
Stephen Moyer
I'm so behind on my posts, so I'm going to divide and conquer and try to publish 2 every day, the most recent movie I watched and the least recent, and so hopefully everything will converge upon The Return of the King (as one does) in a few days and then I can move on with my ho-hum life and this foolish attempt to record my emotional development through the mediator of cinema. If this were a movie, I would have just spoiled the symbolism by explaining it with a voiceover. Soorry!
So, yesterday Cora had a bunch of her german friends over for dinner and Cillian and I watched Priest. I was pleased when he suggested we watch a movie because I'm just terrible at navigating large groups of people. Especially when it feels like everyone else likes each other a little bit more than they like me (Some people are able to successfully avoid this kind of scenario their whole lives, or else I'm just overanalyzing everything). I said we should watch something I've already seen before, in case it's hard to pay attention, so I suggested The Fifth Element, but I guess Cillian doesn't like that movie because he put on Priest, which I think would have been hard to follow in a dark movie theater with an acceptable sound system. On Cora's laptop, it was near impossible. Luckily there was a really tidy recap at the climax, where the villian explains the whole sequence of events for the stupid audience members, like me, who haven't been able to put it all together on their own yet. I finally understand why action movies always have that, now.
I found the premise to be delightful. In a post-apocalyptic future organized underneath a totalitarian clergy, one member of the elite warrior-priest caste goes rogue to take on a vampire scourge that has kidnapped his estranged daughter. That's some L33T science-fiction, right there. In this sotry-world, the future is very wastelandy, which is not an unreasonable assumption, especially if someone Fs us all over and drops a nuke somewhere. Yes, the future is a dark and desolate place, but nevertheless our Hero must fight to protect it.
30 December 2011
26 Dec - "humans don't like smart ape"
Rise of the Planet of the Apes (2011)
dir. Rupert Wyatt
CAST
Brian Cox (Braveheart, 1995)
Tom Felton (Harry Potter and the Deathly Hallows Part 1, 2010)
James Franco (Never Been Kissed, 1999)
Leah Gibson (Eclipse, 2010)
Jamie Harris (Princess Caraboo, 1994)
David Hewlett (Where the Heart is, 1990)
Chelah Horsdal (On Strike for Christmas, TV 2010)
Adrian Hough (X-Men: The Last Stand, 2006)
Tyler Labin (Zack and Miri Make a Porno, 2008)
John Lithgow (Skrek (voice), 2001)
Freida Pinto (Slumdog Millionaire, 2008)
Dean Redmond (2012, 2009)
Jesse Reid (Watchmen, 2009)
David Richmond-Peck (The Day the Earth Stood Still, 2008)
Sean Tyson (2012, 2009)
I feel like this movie has already been reviewed to death and since I'm clearly a latecomer to this game I'll keep the report necessarily brief. Yes, the CGIed Ceasar had a lot of attitude. Yes, you might say the moral of the story is that 'the road to hell is paved with good intentions'
Maybe this is because I was sort of in&out for the first twenty minutes or so, but I don't understand why James Franco's character didn't send baby Ceasar to a wildlife refuge immediately, that seems totally irresponsible. Anybody who knows anything about chimpanzees knows that they are accidents waiting to happen. Ceasar attacking the neighbor with a bad attitude wasn't just an unfortunate misunderstanding, it was practically inevitable. Chimps are awfully smart, but they are also meeeaaan animals.
The other point I feel compelled to point out (and this is nit-picky) is that they wouldn't have been doing medical experiments on chimps, they would have been doing them on rhesus monkeys. And finally, if the virus makes chimps super-smart but kills humans, it doesn't seem likely that the virus would have the same effect on orangutans as it does on chimps, because orangs have much less in common with chimps than humans do, which is to say that we are all almost identical, but orangutans are slightly more differentiated than the African apes (which are chimps, gorillas, and humans)
That being said, there's plenty of room for a sequel (a sequel to the prequel), which I have no doubt will be forthcoming. How does a pack of multi-species apes expand from a small home base in the California redwood forest to world domination? What do they eat in the redwood forest? Pine needles? Does their group even include females? Are female super-intelligent apes capable of demanding equal rights from their male counterparts or do the baser ape instinctive social order still apply? SO many questions have been left unanswered...
My last point is that is was pretty cool when Cesar NO! to Draco Malfoy, but I wasn't into it when he said "Cesar is home" to James Franco at the end. Apes don't have the physiological capability of speech. It makes a sort of sense that this ability could evolve in the thousands of years it takes until Charlton Heston arrives on the scene. But within a lifespan? Impossible. "No" is not a particularly difficult syllable. If they can teach a Siberian Husky to say "I Love You," I can believe that a super smart chimp can shout a mono-syllabic protest. That scene was very exciting, it was like I wasn't quite certain I had heard correctly until he repeated himself. And I was scared because it was unearthly and just wrong. But they that final scene detracted from the earlier climax. Not only was it unbelievable, but I think even if a super-intelligent ape learned to speak English, he wouldn't talk like Tarzan and he would know how to pronouns. I think it was a mistake.
dir. Rupert Wyatt
CAST
Brian Cox (Braveheart, 1995)
Tom Felton (Harry Potter and the Deathly Hallows Part 1, 2010)
James Franco (Never Been Kissed, 1999)
Leah Gibson (Eclipse, 2010)
Jamie Harris (Princess Caraboo, 1994)
David Hewlett (Where the Heart is, 1990)
Chelah Horsdal (On Strike for Christmas, TV 2010)
Adrian Hough (X-Men: The Last Stand, 2006)
Tyler Labin (Zack and Miri Make a Porno, 2008)
John Lithgow (Skrek (voice), 2001)
Ty Olsson (Lake Placid, 1999)
David Oyelowo (The Last King of Scotland, 2006)Freida Pinto (Slumdog Millionaire, 2008)
Dean Redmond (2012, 2009)
Jesse Reid (Watchmen, 2009)
David Richmond-Peck (The Day the Earth Stood Still, 2008)
Sean Tyson (2012, 2009)
I feel like this movie has already been reviewed to death and since I'm clearly a latecomer to this game I'll keep the report necessarily brief. Yes, the CGIed Ceasar had a lot of attitude. Yes, you might say the moral of the story is that 'the road to hell is paved with good intentions'
Maybe this is because I was sort of in&out for the first twenty minutes or so, but I don't understand why James Franco's character didn't send baby Ceasar to a wildlife refuge immediately, that seems totally irresponsible. Anybody who knows anything about chimpanzees knows that they are accidents waiting to happen. Ceasar attacking the neighbor with a bad attitude wasn't just an unfortunate misunderstanding, it was practically inevitable. Chimps are awfully smart, but they are also meeeaaan animals.
The other point I feel compelled to point out (and this is nit-picky) is that they wouldn't have been doing medical experiments on chimps, they would have been doing them on rhesus monkeys. And finally, if the virus makes chimps super-smart but kills humans, it doesn't seem likely that the virus would have the same effect on orangutans as it does on chimps, because orangs have much less in common with chimps than humans do, which is to say that we are all almost identical, but orangutans are slightly more differentiated than the African apes (which are chimps, gorillas, and humans)
That being said, there's plenty of room for a sequel (a sequel to the prequel), which I have no doubt will be forthcoming. How does a pack of multi-species apes expand from a small home base in the California redwood forest to world domination? What do they eat in the redwood forest? Pine needles? Does their group even include females? Are female super-intelligent apes capable of demanding equal rights from their male counterparts or do the baser ape instinctive social order still apply? SO many questions have been left unanswered...
My last point is that is was pretty cool when Cesar NO! to Draco Malfoy, but I wasn't into it when he said "Cesar is home" to James Franco at the end. Apes don't have the physiological capability of speech. It makes a sort of sense that this ability could evolve in the thousands of years it takes until Charlton Heston arrives on the scene. But within a lifespan? Impossible. "No" is not a particularly difficult syllable. If they can teach a Siberian Husky to say "I Love You," I can believe that a super smart chimp can shout a mono-syllabic protest. That scene was very exciting, it was like I wasn't quite certain I had heard correctly until he repeated himself. And I was scared because it was unearthly and just wrong. But they that final scene detracted from the earlier climax. Not only was it unbelievable, but I think even if a super-intelligent ape learned to speak English, he wouldn't talk like Tarzan and he would know how to pronouns. I think it was a mistake.
29 December 2011
22 Dec - "Are you so naive as to think that they won't battle their own extinction?"
X-Men: First Class (2011)
dir. Matthew Vaughn (Kick-Ass, 2010)
CAST
David Agranov (Just Married, 2003)
Kevin Bacon (Planes, Trains & Automobiles, 1987)
Randall Batinkoff (Buffy the Vampire Slayer, 1992)
Jason Beghe (Thelma & Louise, 1991)
Rose Byrne (Bridesmaids, 2011)
Matt Craven (Devil, 2010)
Don Creech (The Professional, 1994)
Tony Curran (The 13th Warrior, 1999)
Michael Fassbender (Jane Eyre, 2011)
Brendan Fehr (A Christmas Kiss, TV 2011)
Jason Flemyng (Spice World, 1997)
Edi Gathegi (Twilight, 2008)
Demetri Goritsas (National Treasure: Book of Secrets, 2007)
Michael Ironside (Desert Blue, 1998)
Corey Johnson (Kick-Ass, 2010)
January Jones (Love Actually, 2003)
Zoe Kravitz (Twelve, 2010)
Olek Krupa (Burn After Reading, 2008)
Jennifer Lawrence
Morgan Lily (2012, 2009)
James McAvoy (Gnomeo & Juliet (voice), 2011)
Glenn Morshower (The Crazies, 2010)
Oliver Platt (Love and Other Drugs, 2010)
Sasha Pieterse (Good Luck Chuck, 2007)
Ludger Pistor (The Informant!, 2009)
James Remar (Pineapple Express, 2008)
Rade Serbedzija (Middle Men, 2009)
Lucas Till (Hannah Montana: The Movie, 2009)
I love the X-Men. I think they're a hoot and a half, but the problem with a movie like this is you're sacrificing character development for the insertion of a panoply of characters which are already beloved in the canon. So they say, "Oh, more people will see the movie if it has Emma Frost, Havok, Sebastian Shaw, etc., plus the characters we liked best in the other movies, like Mystique" and then you've got all these characters bumping around and it just muddles up the story. My favorite movies have small casts. Another problem was that the development of the conflict wasn't very well thought out. The main story should have been about Sebastian Shaw and his cronies attempting to incite war between the U.S. and Russia (Although even now I'm sure exactly why this was the case except a vague Magneto-esk desire to assert Mutant superiority). This challenge should have been faced and overcome by Charles Xavier and Erik Lensherr, and framed in the development and then demise of their friendship. Instead we get all sorts of identity issues from Mystique and Beast and a bunch of other young mutants thrown in for zazzle without actual depth and relationships. The episodic unraveling of the plot made me feel like the story lacked clarity and cohesion, so while there were good elements and good scenes, I couldn't say with confidence that this is a good movie.
dir. Matthew Vaughn (Kick-Ass, 2010)
CAST
David Agranov (Just Married, 2003)
Kevin Bacon (Planes, Trains & Automobiles, 1987)
Randall Batinkoff (Buffy the Vampire Slayer, 1992)
Jason Beghe (Thelma & Louise, 1991)
Rose Byrne (Bridesmaids, 2011)
Matt Craven (Devil, 2010)
Don Creech (The Professional, 1994)
Tony Curran (The 13th Warrior, 1999)
Michael Fassbender (Jane Eyre, 2011)
Brendan Fehr (A Christmas Kiss, TV 2011)
Jason Flemyng (Spice World, 1997)
Edi Gathegi (Twilight, 2008)
Demetri Goritsas (National Treasure: Book of Secrets, 2007)
Michael Ironside (Desert Blue, 1998)
Corey Johnson (Kick-Ass, 2010)
January Jones (Love Actually, 2003)
Zoe Kravitz (Twelve, 2010)
Olek Krupa (Burn After Reading, 2008)
Jennifer Lawrence
Morgan Lily (2012, 2009)
James McAvoy (Gnomeo & Juliet (voice), 2011)
Glenn Morshower (The Crazies, 2010)
Oliver Platt (Love and Other Drugs, 2010)
Sasha Pieterse (Good Luck Chuck, 2007)
Ludger Pistor (The Informant!, 2009)
James Remar (Pineapple Express, 2008)
Rade Serbedzija (Middle Men, 2009)
Lucas Till (Hannah Montana: The Movie, 2009)
I love the X-Men. I think they're a hoot and a half, but the problem with a movie like this is you're sacrificing character development for the insertion of a panoply of characters which are already beloved in the canon. So they say, "Oh, more people will see the movie if it has Emma Frost, Havok, Sebastian Shaw, etc., plus the characters we liked best in the other movies, like Mystique" and then you've got all these characters bumping around and it just muddles up the story. My favorite movies have small casts. Another problem was that the development of the conflict wasn't very well thought out. The main story should have been about Sebastian Shaw and his cronies attempting to incite war between the U.S. and Russia (Although even now I'm sure exactly why this was the case except a vague Magneto-esk desire to assert Mutant superiority). This challenge should have been faced and overcome by Charles Xavier and Erik Lensherr, and framed in the development and then demise of their friendship. Instead we get all sorts of identity issues from Mystique and Beast and a bunch of other young mutants thrown in for zazzle without actual depth and relationships. The episodic unraveling of the plot made me feel like the story lacked clarity and cohesion, so while there were good elements and good scenes, I couldn't say with confidence that this is a good movie.
05 October 2011
2 Oct - "What did you find, Cortes?"
Monsters (2010)
dir. Gareth Edwards
CAST
Scoot McNairy (Sleepover, 2004)
Whitney Able
I've been meaning to see this movie for a while, and I'm glad I did because it pretty much met all of my expectations. It's slower than you might expect for a movie about aliens. It's much more in the slightly-documentary precedent set by Cloverfield in 2008 and then by District 9 in 2009. Of course, these aliens are even less anthropomorphic than those crawfish-like guys, and until the very end we don't get any insight into what these are like or what they want. They are just scary and far away, is all. This movie reminded me of nothing so much as this song by The Dead Milkmen. It goes:
Big lizard in my backyard
Can't afford to feed it anymore
Big lizard in my backyard
Busting down my neighbor's door
I bought a big lizard
Only a dollar fifty
Well, that's pretty neat
Yeah it's fucking nifty
But I just can't afford to feed it
And you should see the way it shits
...
I was knocked outta bed
Late last night
I was woken up by the sound of dynamite
I ran downstairs to find an army man
He said, "We gotta blow up those things we don't understand!"
Do you dig it? Has there ever been a better written anthem to xenophobia and the denial of responsibility? I was prepared, going into this movie, to take the easily interpreted metaphor. After all, they built a really big wall to keep the aliens from getting out Mexico. Right? But, NO! There are turtles underneath those turtles.
I talk about the alien metaphor for xenophobia a lot, but I think in this case the aliens represent a much less tangible allegory for the impending threat of global catastrophe. At this period of time, a disproportionate burden of global environmental degradation is borne by developing and underdeveloped nations. In the mean time, the industrialized nations do everything they can to keep the impacts of their lifestyle outside of their borders. It doesn't work, though, because problems like that burst through all sorts of walls. I guess the lesson is that you have to learn to live in the world you live in.
dir. Gareth EdwardsCAST
Scoot McNairy (Sleepover, 2004)
Whitney Able
I've been meaning to see this movie for a while, and I'm glad I did because it pretty much met all of my expectations. It's slower than you might expect for a movie about aliens. It's much more in the slightly-documentary precedent set by Cloverfield in 2008 and then by District 9 in 2009. Of course, these aliens are even less anthropomorphic than those crawfish-like guys, and until the very end we don't get any insight into what these are like or what they want. They are just scary and far away, is all. This movie reminded me of nothing so much as this song by The Dead Milkmen. It goes:
Big lizard in my backyard
Can't afford to feed it anymore
Big lizard in my backyard
Busting down my neighbor's door
I bought a big lizard
Only a dollar fifty
Well, that's pretty neat
Yeah it's fucking nifty
But I just can't afford to feed it
And you should see the way it shits
...
I was knocked outta bed
Late last night
I was woken up by the sound of dynamite
I ran downstairs to find an army man
He said, "We gotta blow up those things we don't understand!"
Do you dig it? Has there ever been a better written anthem to xenophobia and the denial of responsibility? I was prepared, going into this movie, to take the easily interpreted metaphor. After all, they built a really big wall to keep the aliens from getting out Mexico. Right? But, NO! There are turtles underneath those turtles.
I talk about the alien metaphor for xenophobia a lot, but I think in this case the aliens represent a much less tangible allegory for the impending threat of global catastrophe. At this period of time, a disproportionate burden of global environmental degradation is borne by developing and underdeveloped nations. In the mean time, the industrialized nations do everything they can to keep the impacts of their lifestyle outside of their borders. It doesn't work, though, because problems like that burst through all sorts of walls. I guess the lesson is that you have to learn to live in the world you live in.
29 September 2011
28 Sept - "One man alone cannot fight the future"
X-Files: Fight the Future (1998)
dir. Rob Bowman (Elektra, 2005)
CAST
David Duchovny (Don't Tell Mom the Babysitter's Dead, 1991)
Gillian Anderson (The Last King of Scotland, 2006)
Martin Landau (City of Ember, 2008)
Mitch Pileggi (It's Pat, 1994)
Blythe Danner (1776, 1972)
Terry O'Quinn (Young Guns, 1988)
Armin Mueller-Stahl (Eastern Promises, 2007)
Lucas Black (All the Pretty Horses, 2000)
Michael Shamus Wiles (Conspiracy Theory, 1997)
Jeffrey DeMunn (The Green Mile, 1999)
Tom Woodruff (Hollow Man, 2000)
John Neville (The Fifth Element, 1997)
Gary Grubbs (JFK, 1991)
Steve Rankin (Men in Black, 1997)
Michael Krawic (Legally Blonde 2: Red, White, & Blonde, 2003)
William B. Davis (Behemoth, TV 2011)
The first X-files movie fits in between the fifth and sixth seasons, so in my quest to complete the complete 9 season series, this was a critical step. When we last left our heroes, the sinister Syndicate had conspired to destroy the X-files and put a stop to Agents Mulder and Scully's quest to uncover the truth about a vast government conspiracy against the American people. The concerns mostly a particular part of the show's mythic arc that I've been having trouble with. You see, there's this stuff called "Black oil," because that's what it looks like, which infects a human body in order to control it. This has something to do with an impending alien colonization and Russian and the U.S. are in a biological arms race to create a vaccine. Until the virus mutates and starts feeding off of human bodies in order to gestate big ol' alien monsters (Alien- style) that pop out of their tummies. The movie also goes deeper into the projects with bees that have been broached in the show, but while when bees on the TV show were carrying a variation of the smallpox virus, in the movie they infect Agent Scully with some sort of alien virus. Much like the show's story arc where Mulder has to race to deliver the cure for Scully's brain cancer, Mulder has to race in order to deliver the cure for this new biological foe. Which reminds us all of how scary viruses really are, as expressed by movies like The Andromeda Strain, Outbreak, or that new one I haven't seen yet, Contagion (plus any zombie movie post-28 Days Later).
The ending is rather inconclusive, and segues directly into season 6 of the TV show. All in all, the movie achieved more plot development than would be possible in any single episode, but we are left with little expansion into the greater mythology than the introduction of non-human beings who feed upon humans. One of the greater questions raised in the program is whether there are, indeed, actual extraterrestrials, or whether the government has some even more sinister agenda. At this point, I think the aliens are pretty clear, but what their intentions are, and what the intentions of the Syndicate are, have yet to be answered.
Does this mean that I'm a nerd?
dir. Rob Bowman (Elektra, 2005)
CAST
David Duchovny (Don't Tell Mom the Babysitter's Dead, 1991)
Gillian Anderson (The Last King of Scotland, 2006)
Martin Landau (City of Ember, 2008)
Mitch Pileggi (It's Pat, 1994)
Blythe Danner (1776, 1972)
Terry O'Quinn (Young Guns, 1988)
Armin Mueller-Stahl (Eastern Promises, 2007)
Lucas Black (All the Pretty Horses, 2000)
Michael Shamus Wiles (Conspiracy Theory, 1997)
Jeffrey DeMunn (The Green Mile, 1999)
Tom Woodruff (Hollow Man, 2000)
John Neville (The Fifth Element, 1997)
Gary Grubbs (JFK, 1991)
Steve Rankin (Men in Black, 1997)
Michael Krawic (Legally Blonde 2: Red, White, & Blonde, 2003)
William B. Davis (Behemoth, TV 2011)
The first X-files movie fits in between the fifth and sixth seasons, so in my quest to complete the complete 9 season series, this was a critical step. When we last left our heroes, the sinister Syndicate had conspired to destroy the X-files and put a stop to Agents Mulder and Scully's quest to uncover the truth about a vast government conspiracy against the American people. The concerns mostly a particular part of the show's mythic arc that I've been having trouble with. You see, there's this stuff called "Black oil," because that's what it looks like, which infects a human body in order to control it. This has something to do with an impending alien colonization and Russian and the U.S. are in a biological arms race to create a vaccine. Until the virus mutates and starts feeding off of human bodies in order to gestate big ol' alien monsters (Alien- style) that pop out of their tummies. The movie also goes deeper into the projects with bees that have been broached in the show, but while when bees on the TV show were carrying a variation of the smallpox virus, in the movie they infect Agent Scully with some sort of alien virus. Much like the show's story arc where Mulder has to race to deliver the cure for Scully's brain cancer, Mulder has to race in order to deliver the cure for this new biological foe. Which reminds us all of how scary viruses really are, as expressed by movies like The Andromeda Strain, Outbreak, or that new one I haven't seen yet, Contagion (plus any zombie movie post-28 Days Later).
The ending is rather inconclusive, and segues directly into season 6 of the TV show. All in all, the movie achieved more plot development than would be possible in any single episode, but we are left with little expansion into the greater mythology than the introduction of non-human beings who feed upon humans. One of the greater questions raised in the program is whether there are, indeed, actual extraterrestrials, or whether the government has some even more sinister agenda. At this point, I think the aliens are pretty clear, but what their intentions are, and what the intentions of the Syndicate are, have yet to be answered.
Does this mean that I'm a nerd?
01 June 2011
30 May - "We need cultural experts, not scientists"
Timeline (2003)
dir. Richard Donner - Conspiracy Theory (1997)
CAST
Paul Walker - She's All That (1999)
dir. Richard Donner - Conspiracy Theory (1997)CAST
Paul Walker - She's All That (1999)
Gerard Butler - Nim's Island (2008)
Frances O'Connor - A.I. Artificial Intelligence (2001)
Billy Connolly - The Boondock Saints (1999)
David Thewlis - Harry Potter and the Deathly Hallows Part 1 (2010)
Anna Friel - A Midsummer Night's Dream (1999)
Matt Craven - Disturbia (2007)
Ethan Embry - Pizza (2005)
Michael Sheen - Blood Diamond (2006)
Neal McDonough - Tin Man (2007)
Stephanie Biddle - The Whole Nine Yards (2000)
Amy Sloan - A Diva's Christmas Carol (TV 2000)
Marton Csokas - The Lord of the Rings: The Return of the King (2003)
Stephanie Biddle - The Whole Nine Yards (2000)
Amy Sloan - A Diva's Christmas Carol (TV 2000)
Marton Csokas - The Lord of the Rings: The Return of the King (2003)
Timeline is based on a Michael Crichton novel, like Jurassic Park and Congo, but not like Outbreak. This is about a group of archaeologists who are sent back in time by a technology corporation that has been funding their research into medieval France. They have to go back to rescue their Professor, because he was accidentally left behind in a previous trip. So they are plopped down in the middle of the hundred years war the day before the big invasion, ruh roh!
What I like about this movie is the utter lack of concern for a technological explanation (A 3D fax machine and a wormhole, OK let's go!), even though that's what takes up the lion's share of any Crichton novel. I also recall that one of the big conflicts in the book was the language barrier. All the old-timey people were speaking Ye Olde Angle-ese and no one could understand what was going on, but they chose to streamline that conflict in the movie and all the English folks were as comprehensible as one of Darth Vader's generals. They didn't even blink an eye at the wonky accents of our Heroes ("We're Scottish!" Assures Gerard Butler in a sexy way)
So the good guys are the French and the English are uniformly evil. The saddest part is when Francois gets skewered by Lord Oliver because he can't hide his French accent, awww.
Conclusions: Fun! A adventure in a more esoteric time period, which keeps things unpredictable, although I would have preferred if the storyline had remained more neutral in picking favorites between historical figures (I'm sure the invading English had some redeeming qualities, The Tudors seemed to work it out, well enough.) I was also disenchanted by Paul Walker as the lead, he was far upstaged by Gerard Butler, who is a better actor (and that's saying a lot) and had a more interesting character. The romance between Chris and Kate was poorly developed and unnecessary to the plot, they should have eliminated Walker's character and allowed O'Connor to carry those scenes on her own, and stuck to the dual conflicts of rescuing the Professor and Lady Claire.
I still enjoyed it, though!
Labels:
Culture-shock,
France,
History,
SciFi,
Time travel,
War
30 April 2011
28 April- "I don't want to be one of those things. Walking around without a soul"
Resident Evil (2002)
dir. Paul W.S. AndersonCAST
Milla Jovovich (Ultraviolet, 2000)
Michelle Rodriguez (Avatar, 2009)
Eric Mabius (Cruel Intentions, 1999)
James Purefoy (A Knight's Tale, 2001)
Joseph May (Fairy Tale: A True Story, 1997)
Heike Makatsch (Love, Actually, 2003)
Stephen Billington (Braveheart, 1995)
So, this movie was based off of a video game, right? I don't know anything about that, but I can imagine how the disjunct plotline would lend itself well to a video, with one boss needing to be defeated before moving on to the next series of challenges.
I liked the beginning. I liked how the hero woke up with amnesia and I was able to tell she had amnesia without her saying something chintzy like "Where am I? Who am I?"
I like Milla Jovovitch. Unfortunately all her movies are awful science fiction fare, with The 5th Element clearly rising to the top of the pot. I wonder when this is, maybe she just can't hack a heavier role. But if I'm going to complain about an actress it's going to be this girl:

Is anyone else totally tired of Michelle Rodriguez? I find myself resenting her very existence because she is written into every single science fiction movie as this caricature of a strong female and a pale homage to Private Vasquez in Aliens.
Is this what you're going to base your career on, Michelle? A Jewish woman in brownface? Is a token Latina any better (worse?) than a token Black Man? And like that counterpart, Michelle Rodriguez always dies before the movie ends.
On the other hand, it's cool that woman are increasingly being cast in parts that aren't distinctively "feminine" (i.e. Rain Ocampo was essentially gender-neutral, and could have been played by a man or a woman, where previously this sort of role would have only been played by a man as women wold only be in movies as mothers or sex objects) and for this the Michelle Rodriguez "character" should be lauded, because here we have a role model showing that is perfectly acceptable for a female to have a story arc that doesn't involve a man as a protector or a love interest.
Of course, the whole point of of casting more women in gender-neutral roles is undermined if you give all of the parts to Michelle Rodriguez. And that's why I made that sort of uncouth reference to Pvt. Vasquez (Which I regret a little, because Pvt. Vasquez was awesome). While Michelle Rodriguez is not overtly racialized in her roles (you know, like getting all up in your face with the Spanish slang) I know that part of the reason she keeps getting cast is that the movie execs want a minority female in their movie, and I get it, and it's important to represent, but if the Hispanic woman keeps getting cast as stereotypically violent and impulsive, it's problematic.
First of all, it's saying something very essential and wrong about Latinas (If you fuck with her, she will cut you), and second of all, it's saying that a white woman, or a black woman, and especially not an Asian woman or an Indian woman or (God, help us) a Mid-Eastern woman could ever fill that kind of role because it's too aggressive and too dominant and too uncontrollable and it would make the (predominantly white male) audience uncomfortable.
So I meant to talk about Resident Evil and movies based off of video-games, and then I decided to rant about this instead. I think it's important to keep in mind that even the shitty movies are trying to tell you something about yourself--maybe especially the shitty ones, since they are so willing to pander to cultural norms and appeal to the lowest common denominator--and it's in the details, the side characters and subplots, where the broader narratives are played out. So yeah, Milla whooped some zombies, and looked hot doing it, but why did we want to see a movie about zombies in the first place?
03 April 2011
2 April - "This is your one shot, so make it count"
Timer (2009)dir. Jac Schaeffer
starring
Emma Caulfield
Michelle Borth
John Patrick Amedori (Unbreakable, 2000)
JoBeth Williams (The Big Chill, 1983)
I think I've proven a few times over that there are high-quality and worthwhile "chick flicks" and "rom coms" out there. You just never find because the marketing types would rather shove Jennifer Lopez or Kate Hudson mincing gimicks and making cheap pop-culture referencing jokes into your face for forty seconds than spend the money on making a movie worth watching. Instead, here you've got that chick who played Xander's girlfriend on Buffy trying to communicate something insightful.
The premise is silly, I guess you could call it Sci-fi, but that's not the point. You've got this technology called a "TiMER" and they implant it in your wrist and it starts a countdown for the day you meet your soul mate, or true love, and it's different for everyone. The main character, Oona, has a problem wherein her timer hasn't started ticking yet, which means whoever her true love is, he hasn't gotten a TiMER of his own. Her younger brother gets his implanted on his fourteenth birthday, and he learns he's going to meet his soul mate in three days, while Oona's sister, Steph, who I guess is in her 20s or something, isn't going to meet her's until she's forty-something. And there's a lot of other characters who have their own quirky variations on the theme and I guess the moral is supposed to be something like that life (or love, I guess) is not a race to the finish line, but the important parts are the detours you take along the way, the mistakes you make and whatnot.
But it's funny! The TiMER stores reminded me of nothing so much as an apple store. Emma Caulfield is very genuine to watch and she scrambles about trying to find the few rare men who haven't gotten TiMERs yet, and the sister has these scenes where she's working at a nursing home and, you know, crazy old-timers.
The interactions between Oona's mother and her housekeeper, Luz, are also hilarious, without giving too much away, Luz's family is invited to Thanksgiving dinner and they have no idea what is going on Oona's stepfather is mashing guacamole with a pestle and it's silly. It's all very silly.
Way to go, netflix recommendations.
15 January 2011
11 Jan - "He doesn't have a name so death can't find him!"
Waterworld (1995)

CAST
Kevin Costner (JFK, 1991)
Jeanne Tripplehorn (Big Love (TV), 2006-2011)
Tina Majorino (Napoleon Dynamite, 2004)
Dennis Hopper (Choke, 2001)
Jack Black (King Kong, 2005)

dir. Kevin Reynolds (Robin Hood: Prince of Thieves, 1991)
CAST
Kevin Costner (JFK, 1991)
Jeanne Tripplehorn (Big Love (TV), 2006-2011)
Tina Majorino (Napoleon Dynamite, 2004)
Dennis Hopper (Choke, 2001)
Jack Black (King Kong, 2005)
Robert LaSardon (Bubble Boy, 2001)
My brother says that Waterworld is a knock-off on Mad Max. To that I say, I never really cared for Mad Max anyway, but I DO like Waterworld, even though it's commonly referred to as the worst movie ever conceived. And to be sure, there are an awful lot of plot holes, like how all that contemporary stuff remains preserved on the surface of the water for thousands of years. And the whole "Smoker" culture seems terribly unsustainable. I mean - imagine a whole world utterly devoid of natural resources besides fishies and dirt derived from decomposing bodies. There shouldn't be any wood, there shouldn't be any metal. None of it makes sense and certainly they can't be affording to decimate the scant stuff they've got at the rate that occurs in this movie.
Kevin Costner is a particularly dull actor. Really, he can pretty much suck the emotional reaction out of any scene. Waterworld isn't awesome because of the acting, although I think Dennis Hopper does a fine job, it's because of the crazy atmosphere and the technical scenes of sails unfurling and gears grinding. Waterworld = what a whacky place!
My brother says that Waterworld is a knock-off on Mad Max. To that I say, I never really cared for Mad Max anyway, but I DO like Waterworld, even though it's commonly referred to as the worst movie ever conceived. And to be sure, there are an awful lot of plot holes, like how all that contemporary stuff remains preserved on the surface of the water for thousands of years. And the whole "Smoker" culture seems terribly unsustainable. I mean - imagine a whole world utterly devoid of natural resources besides fishies and dirt derived from decomposing bodies. There shouldn't be any wood, there shouldn't be any metal. None of it makes sense and certainly they can't be affording to decimate the scant stuff they've got at the rate that occurs in this movie.
Kevin Costner is a particularly dull actor. Really, he can pretty much suck the emotional reaction out of any scene. Waterworld isn't awesome because of the acting, although I think Dennis Hopper does a fine job, it's because of the crazy atmosphere and the technical scenes of sails unfurling and gears grinding. Waterworld = what a whacky place!
09 December 2010
8 Dec - "We're modeled from trash. Junkies, prostitutes, winos, tramps. Convicts, maybe, just so long as they aren't psychos"
Never Let Me Go (2010)
dir. Mark Romanek
CAST
Carey Mulligan (Pride & Prejudice, 2005)
Keira Knightly (Pride & Prejudice, 2005)
Andrew Garfield (The Social Network, 2010)
dir. Mark RomanekCAST
Carey Mulligan (Pride & Prejudice, 2005)
Keira Knightly (Pride & Prejudice, 2005)
Andrew Garfield (The Social Network, 2010)
Domhnall Gleeson
Oh gosh, this movie was really sad, everybody. Since I was in the movie theater, I shed a sniffled like a champ and bit my knuckles until I didn't feel so bad anymore, but certainly there will be a day when I'm at home on the couch with a glass of red wine and I watch Never Let Me Go and dissolve into a snotty mess of sobbing and it will be like the world is ending. Because is the world really worth living in if Kathy and Tommy can't be together? I submit that it is not.
Movies That Make Me Cry (Aside from the above)
1. Finding Neverland (2004)
2. Field of Dreams (1989)
3. The Secret Garden (1993)
Aside: The synopsis for this film: "A young British girl born and reared in India loses her neglectful parents in an earthquake..."
4. Gladiator - with the sad music and the wheatfield and his family running to meet him again! Arghh!
5. ...I can't think of any more.
So, um, in case you haven't been keeping up with the recently released sci-fi dramas, Never Let Me Go (based on the novel of the same name) is set in Britain in a distopian alternate past (I think it's supposed to be the 1960s-80s), wherein most medical problems have been solved by a system which creates people as organ donors. The story follows the lives of three such children, who address the conflicts typical of a coming-of-movie, all with this looming shadow of ultimate demise. It's very bleak. The whole movie is very washed out, there is not one sunny scene and there are no primary colors. Carey Mulligan was particularly good, especially since her character rarely says anything. Keira Knightly did her thing okay, too, but unfortunately her character was provided with few redeeming qualities.
I think it might be too soon for me to talk about this in much depth at all. It was a very affecting film.
Oh gosh, this movie was really sad, everybody. Since I was in the movie theater, I shed a sniffled like a champ and bit my knuckles until I didn't feel so bad anymore, but certainly there will be a day when I'm at home on the couch with a glass of red wine and I watch Never Let Me Go and dissolve into a snotty mess of sobbing and it will be like the world is ending. Because is the world really worth living in if Kathy and Tommy can't be together? I submit that it is not.
Movies That Make Me Cry (Aside from the above)
1. Finding Neverland (2004)
2. Field of Dreams (1989)
3. The Secret Garden (1993)
Aside: The synopsis for this film: "A young British girl born and reared in India loses her neglectful parents in an earthquake..."
4. Gladiator - with the sad music and the wheatfield and his family running to meet him again! Arghh!
5. ...I can't think of any more.
So, um, in case you haven't been keeping up with the recently released sci-fi dramas, Never Let Me Go (based on the novel of the same name) is set in Britain in a distopian alternate past (I think it's supposed to be the 1960s-80s), wherein most medical problems have been solved by a system which creates people as organ donors. The story follows the lives of three such children, who address the conflicts typical of a coming-of-movie, all with this looming shadow of ultimate demise. It's very bleak. The whole movie is very washed out, there is not one sunny scene and there are no primary colors. Carey Mulligan was particularly good, especially since her character rarely says anything. Keira Knightly did her thing okay, too, but unfortunately her character was provided with few redeeming qualities.
I think it might be too soon for me to talk about this in much depth at all. It was a very affecting film.
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