The Hunger Games (2012)
dir. Gary Ross - Pleasantville (1998)
CAST
Stanley Tucci - Easy A (2010)
Wes Bentley - American Beauty (1999)
Jennifer Lawrence - The Burning Plain (2008)
Elizabeth Banks - Zack and Miri Make a Porno (2008)
Sandra Ellis Lafferty - Walk the Line (2005)
Paula Malcomson - The Green Mile (1999)
Rhoda Griffis - Midnight in the Garden of Good and Evil (1997)
Josh Hutcherson - Howl's Moving Castle, voice (2004)
Anthony Reynolds - Down in the Valley (2005)
Woody Harrelson - Zombieland (2009)
Toby Jones - Les Miserables (1998)
Lenny Kravitz - Precious (2009)
Donald Sutherland - Buffy the Vampire Slayer (1992)
Of course, everyone who's anyone who gives a shit has already seen The Hunger Games, but I was there on opening night, in the fifth row, craning my neck upwards to watch the story unfold. I liked it, I enjoyed it. I thought it was visually appealing, but I also think it could have been better. Here's why:
1) Adaption of a book based on a first person perspective
The book is told from Katniss's perspective, and the readers are limited in our understanding of her world by her physical limitations. For this reason, we can't really understand what goes on in the minds of the other tributes, for example, and we can't see the reactions of the audience in Panem. The medium of film is almost always in third person perspective (with the exception of found-footage based movies). That means we lose Katniss's inner dialogue, which is tough because she isn't a very verbal character, but it also means we are able to see a lot of the world than Katniss is. I don't think the filmmakers took advantage of that strength. The other tributes were irritatingly flat characters. In the book five out of the twelve were portrayed largely as mindless killers, but that doesn't mean the filmmakers couldn't show them as being more rounded out. Which brings me to the next point.
2) Uncreative storyboarding
The point of the Hunger Games is that they are televised for the people of Panem. Since the book was from Katniss's perspective, we didn't get to see how she was portrayed on film. But this time it's in a movie and we are the audience. I would have liked to see some more creative changes in perspective that could drawn the audience into the story-world and potentially make the movie a lot more meaningful. After all, it's supposed to be a critique of the brutality of watching other people suffer. Let's make the audience feel a little less safe and a little more culpable.
3) Josh Hutcherson
How about we just get one of those big Easter Island heads to play Peeta?
A compilation of all the movies I watch, in no particular thematic organization, with maybe a clever joke here or there.
Showing posts with label distopia. Show all posts
Showing posts with label distopia. Show all posts
23 March 2012
17 January 2012
16 Jan - "What's with all the bullets?"
Priest (2011)
dir. Scott Charles Stewart (Legion, 2009)
CAST
Paul Bettany (Iron Man 2 (voice), 2010)
Karl Urban (The Lord of the Rings: The Two Towers, 2002)
Maggie Q (Live Free or Die Hard, 2007)
Lily Collins
Brad Dourif (The Lord of the Rings: The Return of the King, 2003)
Cam Gigandet (Easy A, 2010)
Alan Dale (Indiana Jones and the Kingdom of the Crystal Skull, 2008)
Christopher Plummer (Must Love Dogs, 2005)
Stephen Moyer
I'm so behind on my posts, so I'm going to divide and conquer and try to publish 2 every day, the most recent movie I watched and the least recent, and so hopefully everything will converge upon The Return of the King (as one does) in a few days and then I can move on with my ho-hum life and this foolish attempt to record my emotional development through the mediator of cinema. If this were a movie, I would have just spoiled the symbolism by explaining it with a voiceover. Soorry!
So, yesterday Cora had a bunch of her german friends over for dinner and Cillian and I watched Priest. I was pleased when he suggested we watch a movie because I'm just terrible at navigating large groups of people. Especially when it feels like everyone else likes each other a little bit more than they like me (Some people are able to successfully avoid this kind of scenario their whole lives, or else I'm just overanalyzing everything). I said we should watch something I've already seen before, in case it's hard to pay attention, so I suggested The Fifth Element, but I guess Cillian doesn't like that movie because he put on Priest, which I think would have been hard to follow in a dark movie theater with an acceptable sound system. On Cora's laptop, it was near impossible. Luckily there was a really tidy recap at the climax, where the villian explains the whole sequence of events for the stupid audience members, like me, who haven't been able to put it all together on their own yet. I finally understand why action movies always have that, now.
I found the premise to be delightful. In a post-apocalyptic future organized underneath a totalitarian clergy, one member of the elite warrior-priest caste goes rogue to take on a vampire scourge that has kidnapped his estranged daughter. That's some L33T science-fiction, right there. In this sotry-world, the future is very wastelandy, which is not an unreasonable assumption, especially if someone Fs us all over and drops a nuke somewhere. Yes, the future is a dark and desolate place, but nevertheless our Hero must fight to protect it.
dir. Scott Charles Stewart (Legion, 2009)
CAST
Paul Bettany (Iron Man 2 (voice), 2010)
Karl Urban (The Lord of the Rings: The Two Towers, 2002)
Maggie Q (Live Free or Die Hard, 2007)
Lily Collins
Brad Dourif (The Lord of the Rings: The Return of the King, 2003)
Cam Gigandet (Easy A, 2010)
Alan Dale (Indiana Jones and the Kingdom of the Crystal Skull, 2008)
Christopher Plummer (Must Love Dogs, 2005)
Stephen Moyer
I'm so behind on my posts, so I'm going to divide and conquer and try to publish 2 every day, the most recent movie I watched and the least recent, and so hopefully everything will converge upon The Return of the King (as one does) in a few days and then I can move on with my ho-hum life and this foolish attempt to record my emotional development through the mediator of cinema. If this were a movie, I would have just spoiled the symbolism by explaining it with a voiceover. Soorry!
So, yesterday Cora had a bunch of her german friends over for dinner and Cillian and I watched Priest. I was pleased when he suggested we watch a movie because I'm just terrible at navigating large groups of people. Especially when it feels like everyone else likes each other a little bit more than they like me (Some people are able to successfully avoid this kind of scenario their whole lives, or else I'm just overanalyzing everything). I said we should watch something I've already seen before, in case it's hard to pay attention, so I suggested The Fifth Element, but I guess Cillian doesn't like that movie because he put on Priest, which I think would have been hard to follow in a dark movie theater with an acceptable sound system. On Cora's laptop, it was near impossible. Luckily there was a really tidy recap at the climax, where the villian explains the whole sequence of events for the stupid audience members, like me, who haven't been able to put it all together on their own yet. I finally understand why action movies always have that, now.
I found the premise to be delightful. In a post-apocalyptic future organized underneath a totalitarian clergy, one member of the elite warrior-priest caste goes rogue to take on a vampire scourge that has kidnapped his estranged daughter. That's some L33T science-fiction, right there. In this sotry-world, the future is very wastelandy, which is not an unreasonable assumption, especially if someone Fs us all over and drops a nuke somewhere. Yes, the future is a dark and desolate place, but nevertheless our Hero must fight to protect it.
09 December 2010
8 Dec - "We're modeled from trash. Junkies, prostitutes, winos, tramps. Convicts, maybe, just so long as they aren't psychos"
Never Let Me Go (2010)
dir. Mark Romanek
CAST
Carey Mulligan (Pride & Prejudice, 2005)
Keira Knightly (Pride & Prejudice, 2005)
Andrew Garfield (The Social Network, 2010)
dir. Mark RomanekCAST
Carey Mulligan (Pride & Prejudice, 2005)
Keira Knightly (Pride & Prejudice, 2005)
Andrew Garfield (The Social Network, 2010)
Domhnall Gleeson
Oh gosh, this movie was really sad, everybody. Since I was in the movie theater, I shed a sniffled like a champ and bit my knuckles until I didn't feel so bad anymore, but certainly there will be a day when I'm at home on the couch with a glass of red wine and I watch Never Let Me Go and dissolve into a snotty mess of sobbing and it will be like the world is ending. Because is the world really worth living in if Kathy and Tommy can't be together? I submit that it is not.
Movies That Make Me Cry (Aside from the above)
1. Finding Neverland (2004)
2. Field of Dreams (1989)
3. The Secret Garden (1993)
Aside: The synopsis for this film: "A young British girl born and reared in India loses her neglectful parents in an earthquake..."
4. Gladiator - with the sad music and the wheatfield and his family running to meet him again! Arghh!
5. ...I can't think of any more.
So, um, in case you haven't been keeping up with the recently released sci-fi dramas, Never Let Me Go (based on the novel of the same name) is set in Britain in a distopian alternate past (I think it's supposed to be the 1960s-80s), wherein most medical problems have been solved by a system which creates people as organ donors. The story follows the lives of three such children, who address the conflicts typical of a coming-of-movie, all with this looming shadow of ultimate demise. It's very bleak. The whole movie is very washed out, there is not one sunny scene and there are no primary colors. Carey Mulligan was particularly good, especially since her character rarely says anything. Keira Knightly did her thing okay, too, but unfortunately her character was provided with few redeeming qualities.
I think it might be too soon for me to talk about this in much depth at all. It was a very affecting film.
Oh gosh, this movie was really sad, everybody. Since I was in the movie theater, I shed a sniffled like a champ and bit my knuckles until I didn't feel so bad anymore, but certainly there will be a day when I'm at home on the couch with a glass of red wine and I watch Never Let Me Go and dissolve into a snotty mess of sobbing and it will be like the world is ending. Because is the world really worth living in if Kathy and Tommy can't be together? I submit that it is not.
Movies That Make Me Cry (Aside from the above)
1. Finding Neverland (2004)
2. Field of Dreams (1989)
3. The Secret Garden (1993)
Aside: The synopsis for this film: "A young British girl born and reared in India loses her neglectful parents in an earthquake..."
4. Gladiator - with the sad music and the wheatfield and his family running to meet him again! Arghh!
5. ...I can't think of any more.
So, um, in case you haven't been keeping up with the recently released sci-fi dramas, Never Let Me Go (based on the novel of the same name) is set in Britain in a distopian alternate past (I think it's supposed to be the 1960s-80s), wherein most medical problems have been solved by a system which creates people as organ donors. The story follows the lives of three such children, who address the conflicts typical of a coming-of-movie, all with this looming shadow of ultimate demise. It's very bleak. The whole movie is very washed out, there is not one sunny scene and there are no primary colors. Carey Mulligan was particularly good, especially since her character rarely says anything. Keira Knightly did her thing okay, too, but unfortunately her character was provided with few redeeming qualities.
I think it might be too soon for me to talk about this in much depth at all. It was a very affecting film.
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